19 July - 24 August 2008
Angels
and Demons is an exhibition of late 20th
century New Zealand Neo-Expressionism from The Suter Art Gallery collection.
Neo-Expressionism was an international art style that gained strength in New
Zealand from the late-1970s. It was a reaction against the dominance of minimalism and
returned to literal and figurative subjects, albeit in an abstracted way.
The term, Neo-Expressionism, refers to the influence of the early
20th century Expressionists, such as Emil Nolde (1867-1956), Max Beckmann (1884-1950)
and George Grosz (1893-1959), whose works was “characterised by an obsession with political and
social realities expressed through apocalyptic visions and hectic attitudes towards form”. The return of to these concerns in the late
20th century has been attributed to post-World War awareness and paranoia; that “none of
our observations about the world can be made in comfortable isolation from the … nightmarish
possibility of a self-imposed apocalypse”.
From this awareness comes a sense of anxiety that is given dramatic example in
the painting by Alexis Neal (right), where the demon-like figure is about to be engulfed by a tidal
wave. Equally, the calm repose of the dove in Gary Collins’ work (opposite right) refers to
the biblical story of Noah’s Ark and the Great Flood – itself a fable about human attitudes and
behaviour. Also see Phillipa Blair’s abstract painting Angel and Aeroplane
(left), a contemporary interpretation of the Tower of Babel story.
Each of these paintings has been selected for strong emotions they express,
emotions that often work in opposition to each other: exuberance slides into turmoil, tranquillity
gives way to anxiety. This is supported by the contrast of colour (and the shade between),
gestural mark-making and references to psychological or spiritual subjects that have positive or
negative connotations. Collectively, the art works create an experience that is a
fine balance between good and evil and ask more questions than give answers.
Image caption: Dick Frizzell.
Break-proof
Wrestling Hold 1982. Gouache on paper 618 x 610mm. Purchased in 1983