Orientalism is a term that is used to describe Western interpretations of Eastern art and culture, specifically that of China, Japan and South East Asia.  As a stylistic movement, Orientalism has its origins in the 19th century and resulted from an increase in trade between Europe and the East.  Imported Asian goods influenced European artists and artisans who made their own copies and interpretations.  The best known example is the blue and white Willow pattern. 

The Willow pattern was first designed by Stoke-on-Trent potter, Josiah Spode, in 1815.  The style was influenced by blue and white Asian porcelain and the pattern was his interpretation of a Chinese love story.  The pattern was wildly popular and widely imitated.  Evidence of its enduring popularity is demonstrated by the New Zealand Crown Lynn version which was produced in the 1970s and 80s. 

The history of Willow pattern ceramics is a good example of the cultural influence that the term Orientalism implies.  For this reason, the exhibition features a number of works that reference this pattern.  These art works are further examples of the patterns ongoing appeal.  They might also be considered as critical commentaries about New Zealand’s history as a British colony and signs of the changing relationship between this country and the East.

This exhibition also includes work by artists who have participated in the recently established residencies in the Asia region.  Their work reflects direct experience with Asian countries and culture, as opposed to the second and third hand cultural influence – via Europe - that is symbolised by Willow pattern ceramics. 

As a whole, this exhibition considers shifting perspectives about New Zealand’s historical, geographical and cultural place in the world.